Tammar: Visits

If you want to find out who or what Tammar really is, you won’t find much, just some reviews on Pitchfork and other blogs. Whatever it is real, it’s out on the market and the cover artwork looks good so anyway I’ll listen through. Seven songs, pretty long running times, Tammar, Visits.

Album starts with Heavy Tonight, a strange but catchy experimental rock opener with nice guitars and keyboards but turned out to be too monotone though for its nearly seven minutes. Next song is called Summer Fun and like these song-names they usually sound like summer. Not bad song and with four minutes not too long either, good riffs, good post-punkish chorus, succesfull highlight. The Last Line has also some nice ideas in it and it kinda reminds me of U2 somehow but they could have wanted to listen like some 80’s post-punk, quite well done. Deep Witness, next looong song with about seven minutes starts well with a groovy guitarline and echoed vocals, it’s a nice track too but you also would have seen the whole thing after five minutes.

Next opus Arrows Underwater is nearly nine minutes long, excited what this turns out like. It starts ambient, guitars tune in after a minute. So the whole thing has nice melodies in it but they just made all the songs a bit too long which makes this album very long-winded which tempts the listener to skip. Anyway after five minutes Arrows Underwater turns out quite enjoyable with a nice building-up. Yung Jun is not too long finally, good riffs that won’t get boring until the song ends. Frost Meter, already the last song on Visits is peaceful and chill, ending in a orgasmic spiral of kind and beautiful soundscape.

The album is truly not bad but as I already said before the songs are a bit too long to keep the whole thing really interesting. There were nice ideas and the instrumental work vocals and stuff is well done but I would have prefered ten shorter songs than these seven. Try to change it and something’s going to happen with this band.

  • 6.8/10

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